- The Underground Theatre Alliance Newsletter
- Posts
- The Underground Update
The Underground Update
November 2025 (Volume 1.5)
In this Edition:
Spotlight On:
(Unofficial) UTA Turkey Trot to Support Food Bank for NYC
by Artistic Directors Laura Clinton and Daniel Walton
Later this week, many of us will gather with friends, foes, and family alike (sometimes all in one King Lear adjacent relative) to celebrate Thanksgiving.
In an attempt to express our gratitude and pay homage to Shakespeare’s iconic "Exeunt, pursued by a bear” stage direction, The Underground Theatre Alliance will be running an (Unofficial) 5K around Hession Lake in Bear Mountain State Park at 10 AM on Thursday, November 27th. Join us, or simply be pursued by the bear. It’s your choice.
UTA Founders Fiona Egan and Laura Clinton at last year’s (Unofficial) Bear Mountain Turkey Trot
As you probably already know, we here at The UTA have quite a lot to be thankful for. Between our talented community of artists, our beautiful and iconic audiences, and the readers of this newsletter that allow us to gush about them in incredibly long sentences such as this one, we are eternally grateful to everyone who considers themselves even a small part of this alliance.
One of the reasons we identify as an “alliance” (edgy, cool, mysterious) as opposed to a traditional “theatre company” (boring, tired, “sometimes profitable”) is that we truly believe the act of creating and sharing in art is inherently rebellious. In a world that demands we consistently tune ourselves out, art asks us to tune into our inner world and translate that experience to those around us. It is an incredible privilege to be able to engage with and create art, and one that we all deserve access to as we navigate the fundamentally messy experience of being human. Art gives us the ability to contextualize our lived experiences and connect with each other in a deep and meaningful way.
Artistic directors Laura Clinton and Daniel Walton writing this heartfelt message.
But for as much as art can feed your soul, it cannot feed your stomach.
Core to our mission as an alliance is to always center the needs of our community. Food insecurity is not a foreign problem – it’s in our backyards, impacting our friends and neighbors every single day. In 2024, more than 1.2 million New Yorkers reported using a food pantry as a form of assistance. SNAP benefits are losing funding, and so many of those we know and love will be impacted by these critical changes. We hope that you will join us in supporting the work of Food Bank For NYC, who deliver food and resources across every borough, background, and barrier.

Graphic from the Food Bank for NYC website
To thank you for your support, we’ll even bribe you with a fashion statement. Send us a screenshot of your donation on Instagram or email it to us at [email protected] to get a one-of-a-kind (Unofficial) 5K T-shirt designed by alliance member Renee Hapeman!

Digital mockup of the t-shirt you can win if you make a donation to Food Bank for NYC! Winner bear designed by Renee Hapeman.
Party with Us:
UTA Performance at The Rat this December!
Is there a better way to celebrate the holiday season than in the company of a bunch of theatre kids? If you vibe with our company, odds are, you don’t think so.
Come see us on December 14th at The Rat Theatre in Dumbo, where we will be featured in their special Rat Gala-Thon telethon-style showcase! The event runs from 12:00-10:00 PM, with the UTA act expected to begin at 3:45 PM.

Beloved company members Laura Clinton, Matthew Fay, Jim McMahon, Paolo Ragusa, Meg Twamley, Daniel Walton, and Rebecca Wolf will perform some classic, warm, and cozy Shakespearean-inspired improv.
It’s gonna be an Elizabethan winter wonderland.
Click here to purchase tickets, and be sure to say the “UTA” invited you!
Word on the Street:
Hear the Buzz about All’s Well That Ends Well

Executive producers for All’s Well That Ends Well pose for a photo after the Saturday show. Photo credit: Alicia Vnencak
Over here at the Underground Theatre Alliance, we are in serious denial that our last creative endeavor, All’s Well That Ends Well, is actually over. In an effort to cope, we have been scrolling nonstop through our amazing production photos (captured by longtime UTA photographers Alicia Vnencak and Stephanie Roberts), while lamenting that we are not providing the sensation that was that show nightly. It was THAT good. But don’t take my word for it, a humble widow of this production, hear it from two important people who took a gamble on us and (up until the publication of this newsletter) do not regret it: Elissa Weil of Dominican Academy and Vilma Hodo of G-Gallery:
Pictured: Julia Cahn and Neysa Lozano. Photo credit: Alicia Vnencak.
Thank you for bringing such class, joy, and talent to D.A. again with All's Well that Ends Well. I am so impressed with the talent, creativity, and artistry of your performances. I look forward to your next production!
For the second production in a row, the Underground Theatre Alliance has brought their show to eager high school students at Dominican Academy, where UTA founder Kiera Egan works as a teacher. We are beyond happy for the collaboration we have with the school and are forever grateful that we’ve had such incredible first audiences for our last couple of shows.

Members of All’s Well That Ends Well pose with some senior students at Dominican Academy after performing an invited dress rehearsal at the school.

Pictured: Audrey Owen and Jim McMahon. Photo credit: Stephanie Roberts
And of course, the show could not have been what it was if not for the wonderful collaboration we had with Vilma Hodo at G Gallery. At every step of the way, G Gallery understood our vision and was an incredibly supportive and integral space for the event’s overall execution.
All’s Well That Ends Well was an innovative concept that not only captivated the audience and showed how powerful a team of creatives can be but also made the walls feel the emotions and the delicate energy of acting. Theatre as an art form its cathartic and profound and the flame of passion from the theatre makers it’s a sacred investment. I wish a long life for Underground Theatre Alliance and offer my full support.

Pictured: Clarissa Hernandez and Zaina Shariff. Photo credits: Stephanie Roberts
Cheers to many more productions, collaborations, and happy audiences in our future!
If Food be the Food of Love, Eat On:
Thoughts on Shakespeare’s Dinner Scenes
by the UTA Production Team: Julia Cahn, Laura Clinton, Fiona Egan, Kiera Egan, and Daniel Walton
With Thanksgiving approaching, the Underground Theatre Alliance wanted to reflect on what some of the joys of the holiday — decadent food and open displays of humble gratitude — meant to the people of Shakespeare’s world… till we remembered the Brits have never really done either of those things particularly well. So, instead of ranking the slop Billy’s characters ate, or monologues about “gratitude” caked in layers of subtext and irony, we decided to revisit and reflect on the scenes of the canon wherein people eat a meal together.
From supernatural happenings to accidental lover mishaps to human-flesh revenge pies, we have to give our dear Billy Boy his flowers, because somehow, he penned some of the spiciest dinner scenes of all time — without using a single spice.

Cassius (played by Lily Lipman) dislikes the food served at the Delta Roma sleepover in the 2025 UTA Production of Julius Caesar
TITUS ANDRONICUS
Kiera Egan
Titus Andronicus is probably best known for its final dinner scene, where our titular guy bakes his daughter’s rapists into pies, which he then serves to their mother. And while that scene is obviously iconic (I don’t have TIME to fangirl over Sweeney Todd in this article), I want to bring your attention to a Shakespeare dinner-scene deep cut: the fly scene. Thought by scholars to be a late addition and a scene cut from the majority of productions, this scene is truly a hidden gem. Titus, a man with a body count surely in the hundreds, dines with his brother and recently mutilated daughter when a fly enters the stage. When his brother stabs it with his dinner knife, Titus goes a tad ballistic, raging about the family life of the innocent fly. In a show with so much bloodshed, it is probably one of the least violent scenes, but it’s certainly not the least tense. Will Titus kill his own innocent fly, Lavinia (spoiler: yes, but not quite yet)? Will Titus kill himself (spoiler: you can argue yes, but also, not quite yet)? Will another hand get chopped off (spoiler: maybe, I believe artistic liberty allows for this choice)?

A dining scene from the 2019 UTA Production of Taming of the Shrew, featuring Paolo Ragusa as Petruchio. This scene was not reviewed as it’s gross and misogynistic.
AS YOU LIKE IT
Fiona Egan
Act 2, Scene 7 from As You Like It is the “very special holiday episode” of Shakespeare’s foody canon. On a quest to save his beloved friend from starvation, our leading man, Orlando, threatens a group of travelers (including his future father-in-law, the Duke) about to feast. What Thanksgiving would be complete without a little family drama, am I right? But, like any good TV dad, the Duke shows Orlando compassion and generosity, offering to feed both him and his friend. The episo — scene wraps up with a dramatic speech about the meaning of life, something about a stage, and the Duke and Orlando working together.
MACBETH
Julia Cahn
What’s everyone’s favorite part of Thanksgiving? The turkey? The side dishes? Getting drunk with your weird uncle? No! It’s the family DRAMA! And what could possibly be more dramatic than your best friend, who you had MURDERED, coming back to haunt you in the middle of a party you’re hosting?? That’s right, folks — the Macbeth banquet scene is that girl when it comes to iconic food scenes. We’ve got public outbursts, a wife covering for her husband’s failures (typical), confused rich people, and a pissed off ghost! Who even needs food at a dinner party when we can feast on this level of scandal??

Laura Clinton in the 2018 UTA production of The Comedy of Errors.
THE COMEDY OF ERRORS
Laura Clinton
Okay, so maybe The Comedy of Errors doesn't have a "traditional" dinner scene where the characters are served or consume any food. But you know what it does have? RHYMES. RHYMES IN THE PAST THAT ARE RHYMES MADE TO LAST TYPE RHYMES. And in the absolutely show stopping number that is Act III Scene 1, the audience is given iconic, poetic couplets in addition to comedic gold when Antipholus and Dromio come home for dinner only to find that they are locked out of their own house and left to negotiate entry with Dromio's evil twin, Other Dromio™️. I won't call this a rap battle. But if someone a little bit braver than me wants to say it, I wouldn't disagree...

Titania (portrayed by UTA founder Jessie Kay) and Bottom in the 2014 UTA Production of A Midsummer Night’s Dream
A MIDSUMMER NIGHT’S DREAM
Daniel Walton
UH OH! Looks like you’ve been turned into an ass! Sorry, bud, it’ll be okay. Woah, hey, don’t cry! Yeah, a lot is gonna be different now, but different isn’t always bad… Tell ya what, why don’t I have Monsieur Cobweb, Peaseblossom, and Mustardseed kill you a red-hipped humble-bee on the top of a thistle, and, bring you the honey-bag? A handful or two of dried peas? How bout a squirrel’s hoard of new nuts? Brand new nuts! You know, I bet you might like a peck of provender? No, you’ll LOVE provender.. What’s provender? Oh, um, I think it’s like horse feed… Yeah, it is… It’s horse feed. That doesn’t sound so bad huh? Oh! Oh. And you’re crying again. Woah, hey, hey, hey, hey... hay? Ohhh, you want some hay? And you wanna munch my good dry oats?… Oh, ok. Maybe. You sit tight, ok? … I’m gonna open up a bottle of hay I’ve been saving for a special occasion… It’s good hay, sweet hay… And, here you are… Bottom's up, bud.
What Willy Said
“I can no other answer make, but thanks, and thanks, and ever thanks.”
~ William Shakespeare, after seeing your incredibly generous donation to Food Bank For NYC
